POSTCARD OF THE WEEK IV: Japan

I use the word ‘obsessed’ a lot in thsi blog, don’t I? Well, be assured that when I use it here, I mean it in every sense of the word. I am obsessed with Japanese culture, in particular, the cultures of Old Kyoto and Gion. This card was sent to me by Annette-in-Japan.

I don;t have much to say other than I adore Japanese culture, so here are a few of my other favorite postcards from Japan I’ve received!

I love the style of this one…and it combined my love of Japanese art with my love of cats! Speaking of which, allow me to obsess again for a moment to say that Japan has a small island that is populated almost entirely by non-feral stray cats? It’s a fisherman island, so they live off the castoffs of the fishers, and they’re apparently quite friendly. I must go here and live my lifelong dream of rolling in a sea of cuddlies on Cat Island.

Obviously these two both show more of why I love geisha. The gorgeous art on the left is reminiscent of the ancient style, and the photograph on the right shows two geiko (master geisha). You can tell they are masters of their craft because their kimono collars are white. If they were apprentices (maiko), they would have red collars and larger obi knots on their backs.

And of course, no post about Japanese postcards would be complete without the obligatory anime card!

I’m not sure which anime this is from (I watch so little of it…I’ve only ever seen episodes from two shows).

POSTCARD OF THE WEEK I: China

This postcard comes from Cici in China! She describes the artwork as ‘Chinese Opera art.’ I absolutely adore the use of watercolors and the tone the image sets of both tranquility and mystery. I am an all-around art fanatic, so getting cards displaying cultural art such as this are probably my favorites.

Chinese socio-political history has been an interest of mine for a few years, especially when I got into Wild Swans by Jung Cheng and the historical fiction books by Lisa See (China Dolls comes out in June…so excited!). I love learning about what really went on during the Maoist era and the pre-Maoist struggles between the Communist Party and the Kuomintang regime. In school, the topic was barely glanced over in World History in favor of more pro-capitalist Americana history. Granted, the Maoist Communism of the late 40s-70s wasn’t exactly a gleaming light of victory in Chinese history, but the whole progression fascinates me, especially in Wild Swans, where the author explores the era through both her own eyes as well as the eyes of her mother and grandmother.

I also enjoy learning about the traditionalist dynastic eras of Chinese history. So many people see it as an era that was terrible for women, and I can see where they are right (like the foot binding…ouch!). But authors like See give it an almost feminist perspective. It’s hard as a Western feminist to see the concept of filial piety as a positive concept: ‘When a child, obey your father. When a wife, obey your husband. When a widow, obey your son.” But in reality, these were the women who created their own language so they could communicate privately with other women, which is an amazing idea. These were the women who, when you think of it, were a lot more valuable to their families than even they realized. They were the means by which many poor families could survive due to their dowries.

Even in contemporary times, China has a very strong allure for me. It seems to be both parts progressive and traditionalist. The art of China is, in my opinion, best represented through music and performance, such as the opera image in the postcard above. When I first began collecting, I got a similar postcard with a photograph of two performers in a Chinese opera.

Between the operas, the dancers, the gymnasts, and the massive parades with the giant dragon kites, China has the kind of art that is best experienced if you’re there to let it surround you. Then you can fully absorb the energy it gives off and the passion these people have for their traditions. If I ever get to China one day, you can bet I’ll attend at least one classic opera (hopefully The Peony Pavilion, which is my favorite Chinese performance piece)!